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Get Borgia: Aufstieg und Fall einer machtbesessenen Familie PDF

By Klabund

ISBN-10: 802682637X

ISBN-13: 9788026826378

Dieses booklet: "Borgia: Aufstieg und Fall einer machtbesessenen Familie (Vollständige Ausgabe)" ist mit einem detaillierten und dynamischen Inhaltsverzeichnis versehen und wurde sorgfältig korrekturgelesen.
Klabund oder Alfred Henschke (1890-1928) conflict ein deutscher Schriftsteller. Klabund verfasste 25 Dramen und 14 Romane, die zum Teil erst postum veröffentlicht wurden, viele Erzählungen, zahlreiche Nachdichtungen und auch literaturgeschichtliche Werke.

Aus dem Buch:
"Du, Orsini, bekommst das Bistum Cartagena. Du, Colonna, die Abtei Subiaco. Savelli, mein Freund, dir gebührt Civita Castellana und das Bistum Maiorca. Das Bistum Pamplona, üppig wie sein identify, ist dir vorbehalten, Pallavicini. Riario, Sanseverino: Ihr werdet alle zu dem Euren kommen! Du, Ascanio Sforza, du bist der Edelste, Einflußreichste, Würdigste: Dich will ich überschütten mit Gold und Gnade - wenn erst die Tiara mein Haupt schmückt. Meinen eigenen Palast sollst du haben, mein ertragreiches und bequemes Amt des Vizekanzlers, das Bistum von Erleu, das dir 10 000 Golddukaten mindestens bringt - und viele andere Benefizien"

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Extra info for Borgia: Aufstieg und Fall einer machtbesessenen Familie (Vollständige Ausgabe): Historischer Roman - Geschichte einer Renaissance-Familie

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5 Given the expense of theatrical special effects, it seems more than a little naive to assume that spectacle was merely a frivolous way of entertaining the groundlings. Spectacle was not just a decorative bauble designed to dazzle the ignorant, there was also an intellectual ‘strategy’ behind these ‘cunning shows’ ( JB 735). Spectacle was in high demand in early modern theatres. 6 Printed by John Windet, the plot or argument details the action of the play’s nine spectacular scenes. Depicting Queen Elizabeth’s rise to power, the play is reminiscent of a public theatre masque.

1527, trans. 1569), where he likens ‘witchcraft’ to: the phantasms and miracles daily wrought by common jugglers; which is not so much performed by goetic enchantments […] and fallacies of spirits, but by […] lights, […] images, glasses, and like devices […] as we see done by players. The Aesthetics of Spectacle 37 For Agrippa, miracles, juggling tricks, magical illusions and stage spectacles all have one pivotal thing in common: they are ‘done by deception of the sight’. 90 This conflation of miracle, magic, theatrical spectacle and science has a long history.

In a way, that final quotation – ‘work such shows and wondering in the world’ – encapsulates the focus of this book. This book aims to examine the way in which ‘shows’ – theatrical spectacles and attractions – provoke both ‘wonder’ and ‘wondering’; in short how, and for what purpose, early modern spectacle astonished and intrigued audiences. Needless to say, this is not the first literary critical study to declare an interest in early modern special effects. ’ Why did early modern playwrights use spectacle?

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Borgia: Aufstieg und Fall einer machtbesessenen Familie (Vollständige Ausgabe): Historischer Roman - Geschichte einer Renaissance-Familie by Klabund

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