By Elizabeth Heale (auth.)
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Additional resources for Autobiography and Authorship in Renaissance Verse: Chronicles of the Self
Jason, for example: when he by MEDEAS arte, had got the Fleece of Gold And also had of her that time, al kynd of things he wolde. He toke his Ship and fled away regarding not the vowes: That he dyd make so faithfully, unto his loving Spowes. (pp. 30–1) In Pyndara’s ‘aunswere of a woman to hir Louer, supposing his complaint to be but fayned’, Turbervile has Pyndara warn other women, ‘Yf she that reades this rime, | be wise as I coulde wishe’, not to trust men’s crocodile tears and the ‘bayted hooke’ of men’s false words (p.
Whitney exploits the easily imitated and adaptable quality of Tudor and early Miscellanies and the well-formed gentleman 35 Elizabethan verse to construct a female voice and identity with which to enter and turn to her advantage what had become an almost exclusively masculine discourse. In doing so, she draws on manuscript traditions of female-voiced verse, particularly answer poems, or defences of women, that were not printed in Tottel’s Miscellany. Such answers and defences sometimes use a female voice although they are by no means always written by women.
He proves an inept interpreter of others’ codes and an eager explainer of his own. In Whythorne’s narratives, women are the employers, the mistresses to whom he owes service, and the sexual predators; they are figures of frightening power and social glamour. Whythorne casts himself in a role familiar to the male miscellanists, that of the manipulated victim of female deceit and inconstancy. His role in the various courting narratives that punctuate his text, is defined by contradictory aspirations and fears.
Autobiography and Authorship in Renaissance Verse: Chronicles of the Self by Elizabeth Heale (auth.)