By Leslie Ellen Brown
Through the Scottish Enlightenment the connection among aesthetics and ethics grew to become deeply ingrained: attractiveness used to be the practical manifestation of advantage; the high quality arts represented the activities of a virtuous brain; to deeply comprehend crafty and typical attractiveness used to be to spot with ethical good looks; and the cultured adventure used to be integral in making worth judgments. This publication finds the background of the way the Scots utilized the huge panorama of ethical philosophy to the categorical territories of attractiveness - in nature, aesthetics and ethics - within the eighteenth century. the writer explores a wide selection of assets, from educational lectures and institutional checklist, to extra well known texts reminiscent of newspapers and pamphlets, to teach how the concept attractiveness and artwork made contributors and society extra virtuous used to be increased and understood in Scottish society.
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Additional resources for Artful Virtue: The Interplay of the Beautiful and the Good in the Scottish Enlightenment
The one feels merely in proportion to what he perceives by his senses. The other follows, in imagination, the unfortunate man to his dwelling, and partakes with him and his family in their domestic distresses. He listens to their conversation . . and pictures out to himself all the various resources which delicacy and pride suggest, to conceal poverty from the world. 83 Though the sensual apparatus of both men in the example is the same, the “imagining” man brings greater experience to his. Through sensibilities heightened by the internal workings of imagination, feeling, and emotion, thought and understanding congregate harmoniously for experiencing the pleasures of beauties of every kind.
18 But Smith’s delineation of “amiable virtues” and “awful or respectable virtues” offers a course by which the spectator becomes engaged with the person of principal concern. Each of these virtues generates its own type of moral approval. ”21 Note that beauty is a key part of each of these virtues. Good conduct derives from the same principle as beauty and grace. I offer one additional piece of evidence to my argument that the literati saw virtue as a type of beauty. ”24 Two internal faculties are in interplay, and it is entirely insignificant where one breaks off and the other begins.
Terrence O. Moore. , Indianapolis: Liberty Fund, 2003), 384. , 424-5. 17 Yet virtue as a type of beauty interested Smith as a quality of sympathy, as benevolence and the goodness of humankind evidenced through sympathy are the material at the heart of The Theory of Moral Sentiments. Pleasure comes from sympathy as the sharing of passions. ”18 But Smith’s delineation of “amiable virtues” and “awful or respectable virtues” offers a course by which the spectator becomes engaged with the person of principal concern.
Artful Virtue: The Interplay of the Beautiful and the Good in the Scottish Enlightenment by Leslie Ellen Brown