By Abrams, Meyer Howard; Harpham, Geoffrey Galt
First released fifty years in the past, A thesaurus OF LITERARY phrases continues to be an important textual content for all critical scholars of literature. Now totally up-to-date to mirror the most recent scholarship on fresh and speedily evolving serious theories, the 10th version incorporates a whole word list of crucial literary phrases provided as a chain of enticing essays that discover the phrases, position them in context, and recommend similar entries and extra analyzing. This imperative, authoritative, and hugely cheap reference covers phrases necessary in discussing literature and literary historical past, thought, and feedback. ideal as a center textual content for introductory literary concept or as a complement to any literature direction, this vintage paintings is a useful reference that scholars can proceed to exploit all through their educational careers
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Additional resources for A glossary of literary terms
McKerrow, An Introduction to Bibliography (rev. 1965); Fredson Bowers, Principles of Bibliographical Description (1949); Philip Gaskell, A New Introduction to Bibliography (1972). Copyright 2011 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience.
Richard Altick, The English Common Reader: A Social History of the Mass Reading Public, 1800 –1900, 1957, rev. 1998; Jonathan Rose, “Rereading the English Common Reader,” Journal of the History of Ideas, Vol. ) There are also numerous studies of the variety of factors that affect the reception, interpretation, and evaluation of literary books. Jane Tompkins, for example, investigated the importance of an influential coterie of friends, reviewers, and magazine editors in establishing and sustaining the reputation of a novelist.
Written in 1969, Michel Foucault raised the question of the historical “coming into being of the notion of ‘author’”—that is, of the emergence and evolution of the “author function” within the discourse of our culture. ” Foucault’s essay and example gave impetus to a number of studies which reject the notion that the prevailing concept of authorship (the set of attributes possessed by an author) is either natural or necessitated by the way things are. Instead, historicists conceive authorship to be a cultural construct that emerged and changed drastically, in accordance with changing economic conditions, social circumstances, and institutional arrangements for the writing Copyright 2011 Cengage Learning.
A glossary of literary terms by Abrams, Meyer Howard; Harpham, Geoffrey Galt